Pages tagged with: art

By 1980 Mountford Tosswill (Toss) Woollaston was one of New Zealand’s most widely known contemporary painters; a far cry from his childhood on a dairy farm in the Taranaki backblocks.

By 1980 Mountford Tosswill (Toss) Woollaston was one of New Zealand’s most widely known contemporary painters; a far cry from his childhood on a dairy farm in the Taranaki backblocks.

Colin McCahon’s works became some of the most recognisable and celebrated paintings ever to be produced in New Zealand.

Born in Dunedin in 1919, McCahon regularly visited the Dunedin Public Art Gallery with his family during his childhood. In July and August 1936 he made several visits to an exhibition by Toss Woollaston, whose landscapes gave direction to his desire to become a painter.

Colin McCahon’s works became some of the most recognisable and celebrated paintings ever to be produced in New Zealand.

Len Lye is a controversial figure in New Zealand art, an internationally renowned and influential artist who is seen by some as an outsider whose art has little relevance to the local tradition.

Lye was born in Christchurch in 1901. His father died three years later and Len was raised by his mother and various relatives. In 1908 the family moved to the Cape Campbell lighthouse, after his mother remarried. Although only there for a year, the experience was formative, with references often reappearing in his later art.

Artist Len Lye was both an experimental film-maker and a kinetic sculptor, who produced sculptures that moved
A self-taught sculptor and monumental mason committed to New Zealand subject-matters, William Trethewey crafted one of the nation’s finest First World War memorials.
Te Papa's mini documentary explains some of the symbology in Colin McCahon's Angel of the Annunciation
Mini-documentary about the return of Charles F. Goldie's Harata Rewiri Tarapata to Whangarei Art Museum.
Mini-documentary produced by Te Papa about the work Cloud by John Reynolds
The valley of the Wilkin from Huddleston's run by John Gully
Links and books relating to New Zealand art history
Between 1960 and 1980 a strong resurgence of Maori nationalism and culture developed alongside a growing political voice and demand for the honouring of the Treaty of Waitangi.
In the 1930s and 1940s a distinctly New Zealand style of painting began to emerge - regionalism that is characterised by a preoccupation with place and local identity.
1890–1900 Wellington Harbour, James Nairn The last decade of the 19th century was highly significant for the development of the visual arts in New Zealand. The main reason was the arrival of several professional painters from Europe – Petrus van der Velden (1837–1913), James Nairn (1859–1904) and Girolamo Nerli (1860–1926) – who contributed fresh ideas through their teaching and practice, invigorating the local art scene. All three men arrived quite coincidentally from 1889 to 1890.
While the first New Zealand artists often had scenic interests, they were also influenced by art historical practices and beliefs.
Early European painting in New Zealand was dominated by landscapes and images of exotic Māori. From the 1890s the local art scene was boosted by the arrival of professional painters from Europe. But it wasn't until the 1930s and 40s that a distinct style of painting began to emerge here.
A selection of key New Zealand events from 1927
Mini-documentary about Gustavus Ferdinand von Tempsky

Draughtsman, artist, surveyor, explorer, soldier, public servant

The multi-faceted Charles Heaphy made quite an impact on colonial New Zealand as an artist, explorer, soldier and colonial administrator. He was the first colonial soldier to win the Victoria Cross.

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