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Horace Millichamp Moore-Jones, Private Simpson, D.C.M., & his donkey at Anzac, 1918.
Moore-Jones’s most widely recognised work was not painted at the battlefront, but from a photograph. His depiction of Private Simpson and his donkey was done when Moore-Jones was touring his watercolours in Dunedin in 1918, three years after the Gallipoli landings. He altered the composition of the photo to make for a more dramatic drawing.
Alexander Turnbull Library,
Reference:C-057-002,
Further information and copies of this image may be obtained from the Library through its Timeframes website,
Permission of the Alexander Turnbull Library, National Library of New Zealand, Te Puna Matauranga o Aotearoa, must be obtained before any reuse of this image.
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